Horror shot in St Agnes by South West Film Studios. Who can argue with this synopsis...?

"When Detective Mortimer Shade (Kevin Howarth) is somehow killed in a freezer, a parasite called a grail possesses his body, revives him, but he needs blood to stay alive. His partner John Dark (Luke Goss) accepts the new situation and together they become vigilantes, judging and killing the bad guys, with Shade sucking their blood with his claw. However, Dark notes that Shade is losing the rest of his humanity and becoming a monster..."

With a title like this, don't expect many explosions or car chases...

Ladies in Lavender is exactly the sort of film that prompts people to question, "Why don’t they make films like this anymore?" It’s a delicately-paced story of two aging sisters--Ursula (Dame Judi Dench) and Janet (Maggie Smith--who live together on a Cornwall beach in 1936. They discover a foreign stranger washed ashore (Daniel Bruhl), and while nursing him back to health make an astonishing discovery: the young man, a Pole, is a phenomenally gifted violinist. And Ursula finds her feelings for the man go far deeper than merely maternal.

Writer and director Charles Dance has crafted an admirable debut. Ladies in Lavender a tenderly done and bittersweet story of innocence and regret. Though the dialogue sometimes seems too earnest, and he has an over-reliance on slow motion cinematography, he still allows his two talented leads enough time and space to shine. It’s only unfortunate that more effort did not go into the DVD release of the film: the extras only consist of soundbites from the cast and crew, which add little insight.

Set in the hamlet of St Gweep, "Wild West" observes the strange goings-on in the local Cornish community. Shop owners Mary Trewednack and her life-partner Angela head a rag-bag of bizarre characters.

The village of St Gweep is actually the real village of Portloe in Cornwall where most of this sitcom was filmed.

This sitcom took a critical mauling. "Wild West" had some very black humour and dark characters so was never meant to appeal to the masses - it's a Marmite show and is definitely worth a shot if you like your comedy a little subversive.

St Michael's Mount fatures in this film as the villain's castle.

Taking its inspiration from the Barclaycard commercials, which starred Rowan Atkinson as a hapless MI6 agent, this full-length film is a cross between a James Bond spoof and Mr Bean. Johnny (a pen-pusher who dreams of a life in her majesty's secret service) is given the mission to protect the crown jewels after a bomb kills all of MI6's existing spies. Unfortunately they are stolen from right under his nose by evil industrialist, Pascal Sauvage (a ridiculously accented John Malkovich) who is intent on seizing the British throne and turning the UK into the biggest prison colony in the world. Thus follows comic set-piece after set-piece, including a hilarious car chase and the obligatory breaking-into-the-evil-genius's-lair sequence, in which English, ably assisted by his much more intelligent subordinate Bough (a brilliantly patient Ben Miller), tries to recover the jewels, stop Sauvage's nefarious scheme, prove to his superiors that he is not completely insane and get the girl, here an Interpol agent played by Natalie Imbruglia.
It's a one-joke movie: he's the worst secret agent in the world. Situations and script are more than a trifle cliched, too, and John Malkovich's performance is cringeworthy. But Atkinson's talent for creating a frustrating but ultimately endearing character is firmly set in the British tradition of rooting for the underdog. The result is an entertaining and endearing spoof with some genuinely laugh-out-loud moments and sparks of originality that more than outnumber the groans.

Anti-vivisection activists make a very bad judgment call and release an experimental monkey infected with "rage". 28 Days Later..., as the title has it, bicycle messenger Cillian Murphy wakes up from a post-traffic accident coma in a deserted London hospital, ventures out to find the city depopulated and the few remaining normal people doing everything to avoid the jittery, savage, zombie-like "infecteds" who attack on sight.
Our bewildered hero has to adjust to the loss of his family and the entire world, but hooks up with several others--including a tough black woman (Naomie Harris) and a likable London cabbie (Brendan Gleeson)--on a perilous trip northwards, to seek refuge at army officer Christopher Eccleston's fortified retreat. However, even if they survive the plague, the future of humanity is still in doubt.

Directed by Danny Boyle and scripted by novelist Alex Garland, this is a terrific SF/horror hybrid, evoking American and Italian zombie movies but also the very British end-of-the-world tradition of John Wyndham (Day of the Triffids) and Survivors. Shot on digital video, which gives the devastated cityscapes a closed-circuit-camera realism, this grips from the first, with its understandably extreme performances, its terrifyingly swift monster attacks and its underlying melancholy. Deliberately crude, 28 Days Later is also sometimes exceptionally subtle.

Daisies in December (Craig NcLaughlan, Jaye Griffiths and Jesse Birdsall) - Helicopter chase filmed in the Tamar Valley; Out of the Hive (Joss Ackland and Jean Simmons) - Filmed at the Tregenna Castle Hotel, St Ives and at St Michael's Mount.